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Venetian painting has always been distinguished by a religious orientation. Sandro Botticelli is one of those artists who realistically showed the world of God and his creations. In the master’s paintings, the Early Renaissance significantly changed for the High period. Oil paints are actively used, making the color of paintings more saturated. Soft color gives the outlines of shapes a sophisticated shape.
The work “Mourning of Christ” conveys, first of all, not the inner world of reality, but the mood. The gospel episode independently conveys the feelings of the characters. The Savior's face bears a mark of suffering and sorrow. Minor figures show a deep sadness, which is very restrained in the picture. Women and the apostle bow over the tormented body of Christ. Joseph, depicted with a crown of thorns in his hand - he took the body from Pilate.
Shrouded in a shroud, the Savior lies lifelessly, but in the viewer's thoughts, he appears to be sleeping. The work so conveys the mood of the Saints that an invisible force makes us empathize with this terrible moment. After all, the Savior wanted good for all people, and he was sentenced to a painful death. Figures of the Christian scene can not understand why? Murder is a sin. The work is saturated with transparent dull tones of colors that give an oppressed atmosphere. So much sorrow, and it is real.
Sandro Botticelli qualitatively shows his art of depicting religious scenes. Do not compare his work with anything, since they take scenes imbued with an internal reflection of the experience. The intrusiveness of sketches is absent, which adds to the picture of sensuality and energy of the viewer. The Italian master made a man think about his life and attitude to higher powers. The relevance of this problem remains to this day. The choice between life and death does not find the answer.
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